chloe-morningstars:

Maybe there’s a universe out there — happening now — where we end up together. Maybe there’s a universe where I’m the right person for you. Where I adore every nice thing you did for me without starting to resent you. A universe where you actually end up with someone who appreciates you. Where both of us can shed our baggage and curiosity and issues. If you think of it all this way, then it’s like neither of us did anything wrong. You just found me in the wrong universe. That’s all. Because you could have loved me forever. And maybe in another universe, I let you. ― Gaby Dunn

zombeesknees:

#this entire scene is a fucking masterpiece  #the building tension in Barbossa’s cabin  #the strings in the score rising ominously  #and then the entire movie turns on a /dime/  #‘oh okay’  #I remember thinking  #‘fucking GHOST PIRATES’  #it drops from historical swashbuckler to fantasy swashbuckler in one set piece  #in which the rules for how the crew work are given to you purely in visuals  #and you get to see that sharp difference between horror-horror and fun horror  #because this scene genuinely terrifies Elizabeth  #and delights /you/  #instead of being awful for both of you  #god
it’s just so neatly done and raises the stakes for the film and puts
everything into context and adds depth to the characters  #and comes as a complete surprise  #this is all the things you want in a set piece  #we should all aspire to storytelling so economical  #(incidentally so should THE SEQUELS  #christ)  (via wizzard890)